Showing posts with label 6500K. Show all posts
Showing posts with label 6500K. Show all posts

Thursday, February 21, 2013


The WOWVision! HDTV Picture Quality Help Guide
 If Your HDTV doesn't make you say "WOW"!!!
The WOWVision! HDTV Picture Quality Help Guide is unlike the cut-and-paste HDTV websites that populate the internet. WOWVision! is the the result of observations obtained from thousands of DTV and HDTV service calls. This is the one place that you will find the answers to poor picture quality and poor performance of HDTV and DTV systems.
What is most apparent in the field is that there is a great lack of knowledge and a large amount of confusion. regarding high definition sources,connections, picture quality, digital systems, the Digital Transition, and the digital conversion box.
The WOWVision! site addresses each factor of poor picture quality from viewing distance, cables, connections, settings, and calibration, to signal quality, antenna and dish alignment. The WOWVision! website contains information and tutorials on picture quality, aspect ratio, calibration,satellite dish alignment, signal meters, digital signal processing, and terrestrial or OTA HDTV  antenna alignment.
From the basics of the HDTV Do's & Don'ts to the details of signal science, including signal quality, signal-to-noise ratio, BER (Bit error rate),pixelation, mosquito noise, artifacts, grounding, and ground loops.
Resources including local HD digital broadcasts and broadcasters, technical and non-technical information regarding digital systems and their operation, and installation tips and tricks. The FAQ contains answers to some of the most commonly asked questions.
The WOWVision! Interactive High Definition Glossary is the most complete glossary of DTV and HDTV definitions available on the internet. It contains hundreds of definitions and links regarding all aspects of HDTV. Links are included on the pages where they are contextually related. 
Everything contained within this site has been obtained and verified by research and proven repeatable RESULTS. This knowledge was acquired from correcting Dish Network and DirecTV satellite systems, and from installations of Off-air antennas, digital conversion boxes, and HDTVcalibrations.
  





Tuesday, December 4, 2012

How to color calibrate a television

After having calibrated many TVs of many types (tubes and flat screens), I have come to an amazing conclusion. The manufacturing process is so similar that ALL televisions that I have calibrated have very nearly the SAME settings when finished. What this means is that you will NOT have to spend even more money for a great picture.

If you're not seeing the "WOW" that you have witnessed in other TVs then read on.

First mak sure your signal is STRONG. After making sure your signal is strong (the number one reason for poor quality) you should then calibrate for the final increase in detail.

I started calibrating using the Spyder Pro Colorimeter.  I read many reviews and they all said it was a really good machine, except for one ISF calibrationist who said it left too much red. As I started calibrating with the Spyder Pro, I noticed that the picture was dramatically improved. As my eyes got trained in what to look for, I began to get frustrated that it was so close but not quite right. As the calibrationist said, there WAS too much red.  I could still see the last bit of red in the ears and lips of people that wasn't correct.  After using the Spyder Pro, I would then go back and began tweeking the picture until it was correct. The problem with Spyder Pro is that it has been programmed to use "Warm" temperature setting. Now, everything I had read up to this point was to use the "Warm" temperature setting. This is NOT correct.You CAN NOT properly calibrate any television using the "Warm" setting. It is impossible to have the entire color spectrum available when using the "Warm" or redder hued colors.

So here is a good starting place for calibration. With this formula (and a little help from your own eyes to "tweek") you will be able to see the amazing detail that HD is all about.

1. Temperature Setting
First, you must use the "Cool" or 6500K setting if you are to obtain perfect color and clarity.

2. Contrast and Brightness
These two go hand in hand because when you adjust contrast you will also adjust brightness. Contrast will "wash out" the details when too high and lose them when too low. The proper setting is near the center of the scale. (If the adjustment bar went from 0 to 100, you want to be between 50 - 60) This will make the picture not as bright, but will increase detail. To compensate for the darker picture, increase brightness some. Not too much or you will again "wash out" the details.

3. Color and Tint
These two also go hand in hand to obtain the perfect skin tones. The color in all TVs is way too "hot" or way to red. This is the largest adjustment. On a 0 to 100 scale, move color down to "around" 33. Use your eyes...just a few clicks to far and you will lose all of your color. This brings the color much closer to realistic but leaves a pinkish hue in flesh tones. The remedy for this is Tint. With Tint it only takes 2 or 3 clicks toward GREEN to finish color adjustment. Be carefull to move toward GREEN just 2 or 3 clicks. Which way green is will be determined by your TV. Try both directions if unsure. One way gives the tans and flesh tones, the other way goes toward purples.

4.Sharpness
Take sharpness down to between 10 and 30. Too high of sharpness adds artificial edges and ruins detail. Off completly is fine, but I seem to like most TVs, overall, in the 10 to 30 range.

5. Noise reduction and Skin tone adjustment
Turn these off.

These adjustments are close enough that anyone who knows what they are looking for will be able to obtain the proper color calibration.

Enjoy the "WOW" that IS HDTV!
God bless,
Highdefjeff


   

Saturday, May 30, 2009

Color Calibration Confusion - Temperature Rising

Some of the readers from Highdefjunkies Forum had questions about my recommendation for temperature settings for calibration. 

I state in the WOWVision! text:


"Temperature - Use the "Low" or "Cool" or 6500K setting - or whichever setting is opposite of warm." Yes, opposite.

I will attempt to explain the relationship between 65K/6500 Kelvin and the "Cool" temperature setting on the television. Perhaps I could bring some "light" to the subject  in what I will call:

Why is the temperature of a WARM white light 2000 degrees COOLER than a COOL white light?

I am attaching a couple of light temperature charts that should shed some lig...that should be very helpful in this exploration. 

Here is a part of the problem. We have two conflicting arenas for description, and even two seemingly "contradictory" sets of terms to describe light. We describe light by its color, by it's temperature, and by its "feel". 

To illustrate this, let's consider fluorescent light bulbs. We have fluorescents that are termed "Warm White" and "Cool white" and also, "Daylight". 

"Warm white" fluorescents are found in rooms and places where you desire a "warm emotional atmosphere". They are generally dimmer than the others and they emit a more red spectrum of light. This light is considered to "feel" warm. Red as a color is described intuitively, as warm. The red coals of your fire are around 2100K. They glow with a red light, and the coals are cozy and warm. We attribute the "feeling" of warmth, to the color red. When the quality of this light is quantified on the Kelvin scale, it has a Kelvin temperature of around 2100k. (Kelvin temperature scale refers to the light emission of a black body heated to a specific degree, like a charcoal briquette that glows red.)

The cool white lamps are what is most commonly found in fluorescent fixtures today. Without a trained eye or a side-by-side comparison, these lamps are perceived as white, thus the white of "Cool white". Cool white's color emissions, however, are in the yellow visible spectrum and the lights are indeed yellow. COOL white registers on the Kelvin scale around 4100k; that's 2000 degrees HOTTER, than WARM white. Cool white emotionally "feels" cooler than the red light. Want a hot room? Paint it red. Cool room? Paint it blue. 

In the last few years it has come to lig...it has been found that the yellow "Cool white" fluorescents cause eyestrain, computer screen glare, and mood swings, ushering in the days of the Daylight fluorescents.

What is so special about the Daylight bulbs? "Special" is called "Full Spectrum" in lighting or light. These lights emit THE spectrum where WHITE light resides. These lamps give you vibrant colors in a store, and make everything look cleaner. They are also good for your health (complete like sunlight), used to treat bilirubin deficiencies and depression. These are one type of lamp used in color matching and they are also great for use as grow lamps! (Settle down out there!) And guess what? They come in at 6500 on the Kelvin scale. These are truly the white lights because for something to emit the "color" white in light, all of the colors of the spectrum have to be there, because white light is comprised of all of the colors. (Don't confuse this color mixing in light with painting or pigment! In pigments, the opposite is true. Gee that helps, too.) 

The reason why Daylight bulbs produce the most vivid color, is that all of the colors of the palette are available in white light. The reason why 6500k is desirable in a television is exactly the same. 

Now reference the color charts and take a look at how the mix of terms and temperatures clash. 

Now add the television manufacturer's who can't or won't standardize a remote control, user menu, or even the same term for the 

"aspect ratio/format/ZOOM/Picture" button. Did I miss any? 

Anyway, some manufacturers use LOW/MEDIUM/WARM, some use COOL/NORMAL/WARM, and there are still others. (We'll find out soon enough.) 

To refer once again to the lighting situation, why does the warm white fluorescent lamp produce a redder room, and why does a cool white lamp produce a yellower room? Because they lack the parts of the spectrum to produce white, in other words, they don't have all of the colors available to produce white. 

What if you use the "warm" temperature setting like everyone else recommends? 

I believe that within the calibration world there is a bit of unintentional confusion on this one. That would explain why EVERY television is "hot" on the red. 

One thing I am certain of is this: It doesn't take a week to see a great picture, or WOWVision! would have been named, "Call-you-in-a-week-Vision!"

http://www.mediacollege.com/lighting...mperature.html
http://www.lightbulbsdirect.com/page/001/CTGY/ColorTemp
__________________

Monday, May 18, 2009

Why Does My SDTV Look So bad?



Why Does My SDTV look so bad?
Guess what? It isn’t “compression” or “dilution” as nearly everyone will tell you!
One thing that needs to be understood is that color calibration is the “missing-link” for those who wonder why "Joe's" TV looks so much better than theirs, and/or why their SDTV (standard definition viewing) looks so poor on their new flat panel. 
Spyder Pro Calibrations - Caution
First, do not spend even $99.00 using Geek Squad or any others who use the Spyder Pro Colorimeter. The Spyder Pro always leaves the picture too hot (red) which is the initial condition of the TV's anyway. Worse than that, you aren't at a place where you can just drop the color by a couple more clicks to get it right. The picture quality IS better but close doesn’t count in calibration. Invariably, I had to re-calibrate by eye, anyway. Using the Spyder Pro was a great learning experience, though. After awhile I found that a “standard formula” for a starting point, and then calibrating by eye, is far better than using Spyder Pro.
 ISF Certified Calibrationist - Caution
I suggest avoiding the professionals unless you have a projector or an actual problem with your TV. If you do use an ISF certified calibrator, get references and check his work FIRST. Then you will know if what he does is what you want.
 See The Colors as the Director Intended
Adjustment of the colors to "see what the director intended" just isn't a reason to drop a chunk of change. What do I care if the actors tie is fire engine red or carnation red? It isn’t nearly as much about “true color” as it is about details. What the calibrationist don’t seem to know is that proper color calibration greatly affects the amount of detail that can be rendered. 
 HDTV is all about details.
When your colors are correctly set, they produce life-like renditions of skin tone, nature, and life. That's pretty cool, but for the condition of "WOW" to exist - for HDTV to exist at all - we need details.
 Many of you can look at your TVs right now and scroll through the channels, and as you do, many of you will find that:
skin tones look unnatural,
            everyone looks sunburn,
men's lips appear to have lipstick, and
the scrolling news headline tickers are not very crisp.
And, many of you think your HD is good, but your SD is unwatchable. 
So, try it for yourself. Scroll through your channels. If you see the things listed above, you need a calibration. (If you didn’t see those before, I’m sorry…) If you don’t see those things, don’t waste your time finishing this blog – you don’t need calibration.
 Color
So the skin color is off. That doesn't sound like much of a problem, does it? But when the color is incorrect, you don’t just have some slightly annoying skin color, you have a TV that can’t reproduce the subtle shades and nuances that add reality and texture.
 Color Vs. Texture
Colors create an objects color, but shades and tints produce it’s TEXTURE. Texture changes your viewing from a flat, pretty picture, into realistic, WOW! HIGH DEFINITION. It is one thing to see the putting green and a whole other thing to see the blades of grass of which it is made.
How Color Calibration Will Affect SDTV Quality 
After a proper color calibration, your SDTV viewing will look very good with some channels coming deceptively close to HDTV quality. The amazing technology in your new TV is so good at presenting the information contained in the signal that it will also reveal how far from “WOW!” your HDTV actually is. The good news is that you can expect great SDTV on a properly installed and calibrated system with good signal strength. 
Color Calibration Reduces Motion Blur and Sharpens Tickers
Yep, it does.
 How important is Color Calibration?
Color calibration is paramount and integral to the amount of detail that your set can provide. Important? YES. Costly? I hope not. Hard? Takes practice. Fast? With time. 
 
 God bless you, and thank you for reading!
Highdef Jeff